Liked It: 390860 Vote; Duration: 2 h, 26 min; Genre: Drama; Average Ratings: 8,8 / 10 Stars; actor: Viola Davis; directed by: Tate Taylor

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Mmm. Oscars buzz is in the air like the smell of fresh baked pecan pie! First slice is The Help, a sort of alternative history of Jackson, Mississippi in the turbulent civil rights era.
The Help has three main heroes: plucky Skeeter Phelan, serious Aibileen Clark, and feisty Minny Jackson. Skeeter returns to Jackson with the goal of being a writer. The story that interests her the most is that of The Help (ding. She attempts to get Aibileen to divulge tales of running the households of white women, but Aibileen fears for her safety and refuses. However, circumstances surrounding the mistreatment of her friends leads Aibileen to begin spilling the beans. Other maids soon join in and BAM - best seller!
At first glance this film is everything it attempts to be: a story touching on the racism of the day, a heartwarming plot driven by strong characters, and a bit of good fun in the process. However, I felt that the characters played as mere stereotypes, and the true feeling of the era was softened either by nostalgia on the part of the author, or intentionally as a means of selling a feel-good story.
Each character's role, while well defined, never allows for any real change. Skeeter didn't ever have to build up courage to write The Help; she simply took some screen time convincing everybody else to get on board. It didn't change her already super-modern, open-minded viewpoint, and it didn't make her a champion of civil rights. She sold her story, reaped the benefits (with surprisingly few downsides) and moved on. Aibileen stayed the strong central figure behind the idea of getting African American maid's stories heard, but didn't stray from that serious face she wore so well. There were a few moments of laughter, lightness, but she took little convincing to put herself in harm's way and in the end, payed a very mild price for her revolt against the white system that controlled her life. Minny Jackson – comic relief. Hilly Holbrook – the racist villain. Celia Foote – silly woman too simple to understand racism. Obviously a drama such as this will have some stereotypes, but it went all the way to the top.
Hilly Holbrook seems to be the only real racist in the picture. She's young, angry, and determined to keep those sub-human colored people out of her bathroom, but not from handling every other part of her life. The movie portrays every other young elite woman as just following in step, not really concerned with race, but more with being socially accepted. Add to that every male and person over the age of 40 seems perfectly well balanced in their views on race. I'm not asking the movie to be a venom-filled, dark affair, but I think it paints Jackson in an untruthful light. I'm from the South, so is Queer. I know racists and they don't delicately prance around the issue today, and I'll put good money up that they didn't back in the '60s. Every bit on Kathryn Stockett talks about her upbringing in Jackson and her relationship with the African-American who raised her through the 1970s and in to the '80s. New York Times admits she pulls her punches on attacking the racism she witnessed, although they spin it as her being more "interested in the affection and intimacy buried beneath even the most seemingly impersonal household connections." I didn't get that from this 2 hour 20 minute film, but maybe the book covered the "affection and intimacy" in more detail.
With all its problems – minor plot lines wrapped up with a cheap line, a complete lack of any character growth – it wasn't a bad film. It was heavy-handed (Oh look, a copy of To Kill a Mockingbird. but it had some charm, entertainment value, and the southern accents didn't irk me nearly as much as I had expected. I do feel that my criticism is warranted. If you're going to tackle an issue like racism in the heart of the most racist parts of the country, you've got to commit. The Help simply lacked courage.
Maybe I wanted the civil rights version of Inglorious Basterds, but this fictional history pulled short on any real content or poignancy.

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I've read the book... so beautiful story. Watch full length the help movie. 1:35. Every time I see that smile the Psycho theme starts playing in my head XD. Watch full length the help video. This isn't about me. It doesn't matter how I feel. -Skeeter THIS BROKE MY HEART. But it felt so necessary for the scene, for Abilene, to know that someone white cares about her life. Watch Full Length The help svp. Watch full length the help kids. Watch Full Length The helping. Watch full length the help song. Watch full length the help women. Watch full length the help online. Two slice Hilly. Watch full length the help line.

One of my favourites. Amazing. Thank you

Watch full length the help counseling. Watch full length the help 3. Having never read the book but always wanting too, The help was an obvious choice whilst choosing a film for a quiet night in with friends.
Set in the 1960's, The Help tells the story of two black maids trying to make a decent living in the south. A heart warming, controversial tale of a struggle to be heard in a civilisation full of deaf ears.
Kudos to Taylor for representing both sides of the story. She portrays the ignorant racists as well as Skeeter's endeavour to make the world realise the immorality of the oppression. Emma Stone plays this well, despite bordering patronising a few times. Minny on the other hand manages to find a balance between an eye rolling, finger snapping, sarcastic stereotype and a headstrong, witty character. Aibileen also does this and still manages to keep it genuine as she creates a bond with one of the children she cares for telling her 'you is kind, you is smart, you is important' this was an important relationship in the film because it educates the audience about the emotional bond that developed between maids and those that they cared for.
Skeeter's tell all book provides an opportunity for a power shift from the black staff to their white owners and back and forth, providing a roller coaster of entertainment for the viewer.

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